Some heroes are made, others are born into it. We are going to investigate the Born Hero today. Notice that we’re sticking with the Mariah Carey lyrics on this one too. Many writers look at this kind of hero as boring or out of date.
I would disagree. I think that this hero just needs to be crafted differently as time progresses. Superman used to be the kind of hero that people wanted to save the day. He had the power, so why not?
These days, we don’t really like people meddling in our business, unless we are under duress. Continue reading →
Mixing the list of villains can be a lot of fun, and it also helps to get a clear sight as to where your story is going. I am about 70% done with the third book in a trilogy which means that I’m about 90% done with the actual trilogy itself!
I say that because I intend to start working on the plans that I have for another series almost immediately after these three books are done, and in order for me to get my villains right, I am going to play around with the mix-and-match approach of the different combinations of villains. Continue reading →
These are the two types of villains that we are going to mix today.
Circumstantial + Evil = CircumEvil.
This is the type of villain who is best described as vicious and evil, vile even. The reader will despise this character, and the other characters will buckle under his power. He kills for a living, and he has no remorse for beheading innocent victims in his plight.
A nobleman is a man of dignity and sophistication. He is a man who handles business with a professional approach. He is a man who is determined to succeed. Take this nobleman and give him the traits of a villain, and you have created the Valiant Villain.
A VV is the type of villain who has a strict moral code, and only under the rarest of circumstances does he break it. This is the kind of villain whose motives need to be explored. He deserves to be understood; he demands it even. Continue reading →
The conceptual villain is a difficult antagonist to create. Why? Because the main is always fighting this metaphysical antagonist, but this villain cannot be seen. It is more felt than visualized. Even describing this kind of villain seems limited.
The most obvious conceptual villain is time. Time is often used to push the main forward through the mission. Movies where a bomb has been planted are good examples of the villain of time. Continue reading →
The most well-known villain type is the “evil for evil’s sake” bad guy. This villain has no motives for his evil. He wants to rule the world, and he wants to enslave all its inhabitants.
This type of antag is comical if you take him to his logical end because the question always arises, “What are you going to do if you do enslave the world?” That said, it doesn’t matter what’s next. The important thing is what’s happening right now.
The evil villain is seen most in epic fantasies since everyone knows that evil is bad. Of course we know of the Sith Lord, Darth Sideous from Star Wars. There’s Darken Rahl from The Sword of Truth. The list goes on with these scumbags. Continue reading →
What type of villain are you creating? There are several types, and we are going to take a few days to explore these feats of villainy.
This post will be about the slippery villain. This villain is like a fish that you just can’t keep your hands on. He’s a villain by circumstance, and it only makes you hate him more. Continue reading →
So this is my 100th blog post, and I’m pretty excited about it. There are not too many ways to celebrate through cyberspace, so I figured I’d just link back to my first blog: PLOT H LES.
That said, let’s get to it. One aspect of setting that’s often neglected is the weather. Though it is sufficient to write a one-word expression to describe the heat and then leave it alone, I prefer subtle reminders of how the weather is affecting the characters.
As writers, it’s important to remember that we are recreating or creating events. These events are impacted by the weather conditions that the character must endure or enjoy. Continue reading →
We have all heard of writer’s block, but what is writer’s freeze? Let me begin by expressing the difference between the two. WB is the inability (assumed or not) to write due to a lack of ideas.
Writer’s freeze is different. It’s a term that I stumbled upon in my own writing as I’ve been hacking and slashing my way through this trilogy. WF is the condition where there are plenty of ideas. But here I am, writing this third book, and I am nervous about which ideas to choose. Continue reading →
In writing, why are these events considered risks? What really are we risking? I mentioned the consequences of taking a risk earlier, but I believe that I’d like to express this point more explicitly.
When decisions are made that are contrary to a character’s…character (CHARACTER CHARACTER), you risk the writer’s currency: credibility. Credibility to a writer is what we use to purchase the reader’s attention. And trust me, an avid reader will expect nothing less. Continue reading →