Making a believable character whom we can all route for is tough. Yet, I was able to find a great example of how to draw the reader in with this video clip of Katy Perry’s “Roar”. Remember, you promised not to judge. Continue reading →
“Straight-forward dialogue can be a bit…eh…how should I say…. Well, I’d rather keep my opinion to myself.”
Here’s an example of a character backing off from a comment where the meaning is implied. These kinds of lines gave a novel a lot of body and create tension when tension is hard to find, especially if you have a man and a woman drinking wine at a romantic dinner date in the woman’s apartment. Continue reading →
When creating a writing process that works for you, you have two choices (generally speaking): you can plan your work from start to finish, or you can write from the hip. I believe that both processes are valid, and I’ll tell you about my experience with each.
One of the most frequent questions I get asked is how I come up with my ideas. I hadn’t thought about it much because usually they just come and then my pen responds in kind. But that doesn’t help the novice writer out too much.
In fact, I often find myself wondering the same thing about the greats: Robin Cook, Stephen King, and the JD Rob types (whom I haven’t read much of but I do respect). I mention these few because they come out with different types of books — not just selling one mega story such as Game of Thrones or Harry Potter. It’s much simpler to continue a story that has begun, but more difficult to create fresh characters and a fresh new plotline that people still want to read. Continue reading →
Stage presence is a very difficult thing to achieve, especially in writing. First, the question comes up: what is stage presence? Think of it this way: if you’ve seen the Dark Knight with Heath Ledger, then you know stage presence. Every time he’s on the screen, there’s a heavy feeling that comes – the whole what-the-heck-is-he-about-to-do kinda’ thing.
Another example would be Meryl Streep in The Devil Wears Prada. Whenever she’s on the set, your attention falls directly on her. Tyrion Lanister from A Song of Ice and Fire has a strong stage presence, as do all of the Laninsters, in my opinion – probably his father more so. Anyway, you get the point. Stage presence is the ability to take the spotlight. Continue reading →
DECIDING TO WRITE FULL-FANTASY OR HALF-FANTASY IN YOUR NOVEL
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Maybe one day we’ll get to the skill of theGeorge R.R. Martin(the Tolkien of our day – in my opinion). Some will argue – as some typically do – but I truly think that GRRM has redesigned fantasy…although in some cases to a fault.
I know that sounds oxymoronic. But I’ll explain, though I must start by admitting that I did not get on the George Martin train until last year. **William covers his face as the stones start flying** I know, I know. How dare I claim to write fantasy without having first read the fantasystandard. My only rebuttal to that is: “I wasn’t ready…” Continue reading →
Writing a series is a definite way to make some cash, ultimately because people who may have only slightly enjoyed your book 1 will perhaps continue through the latter books just to see how the story ends. An even greater reward is when someone praises all three books, detailing how they enjoyed each book in the series. So there’s some definite satisfaction when your readers talk like that.
I’ve noticed trends in my sales with The Pioneers where someone will purchase book 1, and within a few days, I’ll see sales for book 2 & 3. What does this imply? Well, it makes me think that someone has bought the first book to test it out, and then that same person decides that 2 & 3 must be equally as good. So by writing a trilogy, I have in effect been able to sell 3 books at once. Continue reading →
When it comes to understanding the main character, a lot of times it’s difficult to near impossible to figure out what characteristics are actually “likable” and what characteristics are despised by readers.
Honestly, this doesn’t vary much from genre to genre, and quite frankly, it doesn’t vary from male characters to female characters.
Will there be some subtleties in how likability is executed from a female character to a male character? Of course, there are some keys that will ensure that your readers won’t roll their eyes at the characters you’ve developed.
We are still on the issue of character, and even when we leave this issue, we will return…to this…what’s the word I’m looking for here…issue? One of the most important characters in your novel is and will be your villain.